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PUBLICATIONS

 

 

 Book
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Academic book
Chan, Clare S.C (2017?). The Indigenous Semai of Ulu Geroh Village. Gopeng: Evolving livelihood, life style and musical culture. Kuala Lumpur: Institute Terjemahan Buku Malaysia & Penerbit Universiti Pendidikan Sultan Idris

*Accepted to be published in 2017

Academic

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Anthology/ Reference Book

A2.2

Chan, C.S.C, Mohd Nizam Nasrifan, Loy, C.L. Mohd Azam Sulong, Juli Edo (2016). Bah Luj and the Evil Spirit.  Kuala Lumpur: Institute Terjemahan Buku Malaysia & Penerbit Universiti Pendidikan Sultan Idris

 

Anthology/ Reference Book

A2.3

Chan, C.S.C., Mohd Nizam Nasrifan, Loy, C.L. Mohd Azam Sulong, Juli Edo (2016). Bah Luj and his Five Brothers.  Kuala Lumpur: Institute Terjemahan Buku Malaysia & Penerbit Universiti Pendidikan Sultan Idris

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Anthology/ Reference Book

A2.4

Chan, C.S.C., Mohd Nizam Nasrifan, Loy, C.L. Mohd Azam Sulong, Juli Edo (2016). Bah Luj and the Seven Bataks.  Kuala Lumpur: Institute Terjemahan Buku Malaysia & Penerbit Universiti Pendidikan Sultan Idris

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Anthology/ Reference Book

A2.5

Chan, C.SC., Mohd Nizam Nasrifan, Loy, C.L. Mohd Azam Sulong, Juli Edo (2016). Bah Luj and the Garuda.  Kuala Lumpur: Institute Terjemahan Buku Malaysia & Penerbit Universiti Pendidikan Sultan Idr.

Journal Articles
 
A1.1

Chan, Clare SC. (2012). P. Ramlee’s Music: An Expression of Local Identity in Malaya during the Mid-twentieth century. Malaysian Music Journal 1 (1), pp. 16-32.

Single author & corresponding author

Refereed

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A1.2

Chan, Clare S.C. (2012). Heterogeneity in the Musical Acquisition of Orang Asli Children from the Mah Meri and Semai Groups. Malaysian Music Journal 1 (2), pp. 7-21. 

Single author & corresponding author

Refereed

 

A1.3

Chan, Clare S.C. (2013). The Indigenous versus the Acculturated: Jo’oh and Joget Style Songs of the Mah Meri of Carey Island, Selangor. Tirai Panggung 12, Special Issue, pp. 66-81. 

Single author & corresponding author

Refereed

 

A1.4

Chan, Clare S.C. (2013). Beyond rhythm: Exploring Infinite Possibilities in Music, Movement and Choreography. Malaysian Music Journal 2 (2), pp.104-117.

Single author & corresponding author

Refereed

 

A1.5

Chan, C.S. C. (2015). Preliminary exploration of a Semai musician’s transmission of indigenous musical traditions in Peninsular Malaysia. Pertanika Journal of Social Sciences and Humanities 23(3), pp. 691-71.

Single author & corresponding author

Scopus 

 

A1.6

Chan, Clare S.C. (2015) Standardizing and Exoticizing the Main Jo’oh for Tourist Spectacle in Malaysia. Asian Music Journal 46 (2), pp. 89-126. Society for Asian Music, Inc.

Single author & corresponding author

ISI/ Scopus

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A1.7

Chan, C.S.C. (2016). Song text composition in pinloin among the indigenous Jahai of peninsular Malaysia: A local postmodernist approach? Malaysian Music Journal 5(2), pp.70-95.

Single author & corresponding author

Scopus

 

A1.8

Chan, C.S.C & Zaharul Lailiddin Saidon (2017). Advocating Contemporary Traditional Indigenous Semai Music through an Exploration of Youth Interest. International Journal of Academic Research in Business and Social Sciences 7 (7): 454- 463.  

Co-authored

Excellent Research Australia (ERA)

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A1.9 

Musaeva, M., Chan, C. S.C. and Augustine, C. (2017). Application of Ivan Galamian principles of learning through Malaysian folk tunes.  International Journal of Academic Research in Business and Social Sciences 7 (11), 522-536

Co-authored

Excellent Research Australia (ERA)

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A1.10

Sustainability of indigenous folk tales, music and cultural heritage through innovation. Journal of Cultural Heritage Management and Sustainable Development, 8 (3), 342-361.  

Scopus

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A1.11

Hegemony And Agency In Staged Mah Meri Indigenous Music And Dance Performances For Tourists In Malaysia. JATI-Journal of Southeast Asian Studies, 23(1), 132-155. 

Emerging Sources Citation Index (ESCI), Web of Science

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A1.12

Hands Percussion of Malaysia: Performing Cosmopolitanism Built on Shared Philosophy and Artistic Values in Global Musical Alliances. Wacana Seni: Journal of Arts Discourse, 18, 1-24.

Scopus, Emerging Sources Citation Index (ESCI), Web of Science

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Chapter in a Book
 

A3.1

Chan, C.S.C (2006). The 24 Jie Ling Gu (24 Season Drums): Toward discipline, musicality, and creativity in the Chinese schools of Malaysia. In Ramona Tahir, Chan Cheong Jan, Shahanum Mohd Shah  & Pan Kok Chang (Eds.), Perspective in Music Education. Shah Alam: University Publication Center (UPENA)

 

A3.2

Chan, C.S.C and Johnson, W. (2014). Indigenous Semai folktales presented in digital media: Negotiating “authenticity” and innovations through collaborative fusion of indigenous agency and academic knowledge. In C. S. C. Chan and M.J. Penny (Eds) Sustainability in Music and Performing Arts: Heritage, Education and Performance.Tanjong Malim: Universiti Pendidikan Sultan Idris (UPSI). DOI: 10.13140/2.1.2751.7762

 

Proceedings

 

A4.1

Chan, C.S.C. (2012). Nationalizing the Language, constructing the musical aesthetics: Orang Asli (Semai) popular music selections for karaoke singing. Proceedings to the 1st Music and Performing Arts  (MusPA) Research Colloquium.  Tanjong Malim: Faculty of Music and Performing  Arts, University Pendidikan Sultan Idris (National)

 

A4.2

Chan, C. S.C. (2012). The Indigenous versus the Acculturated: Jo’oh and Joget Style Song and Dances of the Mah Meri of Carey Island, Selangor. Proceedings to the 1st International Symposium on Ethnomusicology and Ethnochoreology (September 27th, 2012), Cultural Center University of Malaya.

(International)

 

A4.3

2013 Chan, C.S.C. (2013). Informed choices and aesthetics? Reproducing Orang Asli (Indigenous people) music and dance from mass    mediated reinvented versions of it. In Mohd Anis Nor (ed). Proceedings at the 2nd Symposium of the ICTM   Study Group on Performing Arts of Southeast Asia (14 - 19 June 2012). Intramuros, Manila, Philippines. (International)

 

A4.4

Chan, C.S.C (2013). Recontextualizing Indigenous Semai Original Folktales of Bah Lud for Malaysian Children. In C. Chan and Mohd  Kipli Abdul Rahman. Paper presented at the 2nd Music and Performing Arts  (MusPA) Colloquium (9th November 2013). Tanjong Malim: Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris. (National)

 

A4.5

Chan, C.S.C, Mohd Nizam Nasrifan, Mohd Azam Sulong, Loy C.L., Johnson, W.A. (2014). In C. Chan & J. Penny. Sustainability in the Performing Arts: Heritage, Performance and Education. Paper presented at the 1st International Music and Performing Arts Conference (IMPAC) (19-21 November, 2014). Tanjong Malim: Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris. (International)

 

A4.6

Chan, C.S.C (2015). Hands Percussion Ensemble Malaysia: Interculturalism in the construction of Chinese identity in performance. In Mohd Anis Nor. Interculturalism and the mobility of the Performing Arts Sound, Movement; Choreology of humanly organized expression; New Research: Reviving and conserving traditions. Paper presented at the 3rd Symposium of the ICTM Study Group on Performing Arts of Southeast Asia (14-20 June 2014). Denpasar: Institut Seni Indonesia. (International)

 

A4.7

Chan, C.S.C and Lim, S.L. (2015). Jahai Traditional Music And Dance In The RPS (Rancangan Pengumpulan Semula) Banun Villages Of Temenggor, Perak.  Paper presented at the 4th Music and Performing Arts  (MusPA) Colloquium (1st December 2015). Tanjong Malim: Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris. (National)

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A4.8

Musaeva, M., Chan, C.S.C. & Augustine, C. (2016). Development of method book for violin beginners through utilization of Malaysian folktunes in the first position techniques based on Ivan Galamina principles for teaching and learning. Paper presented at the 1st International and Interdisicilinary Conference on Arts Creation and Studies (IICACS) 2016 (24-25 August 2016). Surakarta: Institut Seni Indonesia. 

 

A4.9 

Chan, C.S.C. & Zaharul Lailiddin Saidon (2016). Constructing Contemporary Traditional Semai Music through an Exploration of the Talents and Interests of the Youth (International). Paper presented at the 2nd International Music and Performing Arts Conference (IMPAC2016) (21-24 November, 2016). Tanjong Malim: Faculty of Music and Performing Arts, Universiti Pendidikan Sultan Idris (International).

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A4.10

Chan, C.S.C.(2017). Exploratory approaches to encouraging an indigenous community-based education for the sustainability of Semai Music and Dance in Perak. Proceedings at the 3rd  Symposium of the ICTM   Study Group on Performing Arts of Southeast Asia (30th July - 6 August 2017). Citadel Penang.(International).

 

 

Extended Abstract

A5.1 

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Chan, C.S.C (2016). The Evolving Musical Structure of the Indigenous Jahai Songs of Malaysia: Memory Recall, Muscle Memory and Creative Improvisation. In Proceedings at the Southeast Asian Directors of Music Congress (SEADOM), Lao Cultural Hall, Vientiane, Laos (24-26 March, 2016)

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Poster Presentation

A6.1

Chan, C.S.C (2017). Advocating the Development of Contemporary Traditional Indigenous Semai music as an Approach to Cultural Sustainability. Poster presentation at the 1st Lombok International Edu-Tourism Conference (LIETC 2017) Lombok, Indonesia (15 – 18 September, 2017)

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Articles in the Media

 

PM01.

2015

Indigenous Semai folktales of Bah Luj: Sustaining the storytelling tradition in audio-digital format. Discovery, UPSI Research & Innovation Bulletin, Vol. 4. Universiti Pendidikan Sultan Idris: Research Management Center

 

PM02.

2012

Indigenous musical pedagogy: Perpetuating Orang Asli (Semai) cultural aesthetics, worldviews and wisdom through their children. Discovery, UPSI Research & Innovation Bulletin, Vol.2. Universiti Pendidikan Sultan Idris: Research Management Center

 

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